› View Scott's Virb Page
› View Scott's Portfolio
› Scott's Blog
People always ask me how I got into this: creating art in the public venue. My response to them is that I kept having dreams and visions about doing this. I finally I said "ok, I'll do it," and here I am. I still have the dreams and visions though…
Email: hollymmeier (at) hotmail.com
Coming Soon…
Coming Soon…
Email: kristenoelle (at) cablespeed.com
A Northwest native, Kristen grew up in Portland, OR and moved to Seattle to attend college. She graduated from the University of Washington in 1998 with a Bachelors degree in fine art painting. As a massage therapist and artist, Kristen's work often deals with matters of being human in our bodies, our hearts and our minds. Themes of nature, body and spirit predominate Kristen's work in a covert effort to find those unknown truths that connect all of humanity despite age, gender, ethnicity, socioeconomic status, religion, or sexual orientation. Her process is intuitive, reactive, playful, visceral: the process dictates the outcome which is rarely, if ever, known in advance. Kristen has recently reemerged in the Seattle art scene taking part in multiple group and solo shows around the city.
A Northwest native, Kristen grew up in Portland, OR and moved to Seattle to attend college. She graduated from the University of Washington in 1998 with a Bachelors degree in fine art painting. As a massage therapist and artist, Kristen's work often deals with matters of being human in our bodies, our hearts and our minds. Themes of nature, body and spirit predominate Kristen's work in a covert effort to find those unknown truths that connect all of humanity despite age, gender, ethnicity, socioeconomic status, religion, or sexual orientation. Her process is intuitive, reactive, playful, visceral: the process dictates the outcome which is rarely, if ever, known in advance. Kristen has recently reemerged in the Seattle art scene taking part in multiple group and solo shows around the city.
Email: emilylleonard (at) hotmail.com
› emilyleonard.com
As a lover of beauty and truth, I find the two meet most often in my eyes in the natural world. I have always been drawn to the delicately perfect designs in the trees and skies and ground. Paintings find me everywhere I go, whether in the woods, on a road, or out my window... virtually anywhere the sun is. For a long time I just answered and painted, but lately I have become more interested in finding the reasons: the reason a sun makes us move,the night makes us dream and the forest makes us still. I hope that my paintings are full of these secrets.
› emilyleonard.com
As a lover of beauty and truth, I find the two meet most often in my eyes in the natural world. I have always been drawn to the delicately perfect designs in the trees and skies and ground. Paintings find me everywhere I go, whether in the woods, on a road, or out my window... virtually anywhere the sun is. For a long time I just answered and painted, but lately I have become more interested in finding the reasons: the reason a sun makes us move,the night makes us dream and the forest makes us still. I hope that my paintings are full of these secrets.
Email: wearethemusic (at) hotmail.com
I fear I lost my raw artistic talent years ago, like a car key in pastry bag with a banana peel in it, after learning about the whole conceptual art "concept". Now the idea is the thing, so I often find myself finished creating before I've even begun. The result? Skeletons in my artistic closet that take the shape of half-painted canvases & film scripts without endings. Oh, don't worry, though! I use the time I don't spend completing my art, to virtually carve out actual opportunities to support other artists. I live an underdog type of creative life that involves number crunching, wordsmithing, event planning, community building & seeking out new ways to help keep artists out of the proverbial-emotional & actual poor house.
I fear I lost my raw artistic talent years ago, like a car key in pastry bag with a banana peel in it, after learning about the whole conceptual art "concept". Now the idea is the thing, so I often find myself finished creating before I've even begun. The result? Skeletons in my artistic closet that take the shape of half-painted canvases & film scripts without endings. Oh, don't worry, though! I use the time I don't spend completing my art, to virtually carve out actual opportunities to support other artists. I live an underdog type of creative life that involves number crunching, wordsmithing, event planning, community building & seeking out new ways to help keep artists out of the proverbial-emotional & actual poor house.